Sunday, October 20, 2019

Hmwrk #5

Redraw the first drawing from the subway using the line quality of the second drawing.


Wednesday, October 9, 2019

Hmwrk #4




Mark is the essence of drawing. The primal language used in mark making can be wielded in different ways. It can be a bridge connecting the basic emotions of an artist to a viewer through a shared sense of movement or many movements. Body language and gesture are as strong a part of culture and communication as verbal language. Mark is this communication recorded. Imagine walking up to a stranger and slowly sticking up your middle finger. Now imagine doing it to a friend with a goofy smile on your face. Mark visually excites and connects with the viewer and describes many possible emotions or states of being. 




It can communicate a journey, a narrative, the passage of time, a poetic moment, or an epic battle. What does a mark describing a moment of grief look like as opposed to one of anger, a state of arousal? What is a humorous mark? A serious one? What does the mark of a lyrical dance look like or one that describes your journey through college so far?

Create a single, large 4 to 5 foot mark using ink or wet media and an alternative tool such as a broom, a rag, or even your hand. NO BRUSHES! This mark should describes an emotional or narrative journey.



Really consider your one act of mark making here. Consider the scale, surface, thickness, line weight and quality. Make it engaging and interesting.

Below are artists that you should research before making your mark.

Cy Twombly
Jackson Pollock
Brice Marden
Martin Pureyor
Lee Krasner
Joan Mitchell
Helen Frankenthaller
Robert Mangold
Doris Salcedo “Shibboleth”
Rebecca Warren
Janine Antoni “Brush”
Yves Klien
Jean Miro
Sean Scully
Paul Klee
Barnett Newman
Franz West
Mark Bradford 
Gerhard Richter