Monday, November 11, 2013
Tuesday, November 5, 2013
Wednesday, October 30, 2013
Monday, October 28, 2013
The LIst
G. Seurat
Degas
A. Giacometti
W. Coldstream
Pablo Picasso
Ellsworth Kelly
P. P. Rubens
Masacio
A. Durer
H. Bosch
Michelangelo
L. Da Vinci
Duchamp
A. Warhol
Diego Rivera
Cezanne
Eakins
Goya
El Greco
Rembrandt
Chuck Close
Glen Ligon
William Kentridge
Kara Walker
Maxfield Parish
Max Ernst
Otto Dix
Egon Schiele
Kandinsky
De Chirico
Braque
Cecily Brown
Jennie Saville
Kathe Kallowitz
Roberto Mata
A. Gorky
Cy Twombly
Degas
A. Giacometti
W. Coldstream
Pablo Picasso
Ellsworth Kelly
P. P. Rubens
Masacio
A. Durer
H. Bosch
Michelangelo
L. Da Vinci
Duchamp
A. Warhol
Diego Rivera
Cezanne
Eakins
Goya
El Greco
Rembrandt
Chuck Close
Glen Ligon
William Kentridge
Kara Walker
Maxfield Parish
Max Ernst
Otto Dix
Egon Schiele
Kandinsky
De Chirico
Braque
Cecily Brown
Jennie Saville
Kathe Kallowitz
Roberto Mata
A. Gorky
Cy Twombly
Sunday, October 27, 2013
Self Portrait in Pieces
Taking different points of view using various scales and cropping of your face and body you will create a self
portrait from observation in a mirror or reflective surface. You will use at least 11 surfaces of varying sizes.
The final drawing produced should be at least 4x7 feet.
Consider use of scale
Consider use of various cropping
Consider what parts of the face call more attention. Do they need to be smaller? Larger?
The pieces should not be attached and the spaces Inbetween each piece should be highly considered in terms
of overall composition and design. I do expect negative space in between the sheets to be used as a
compositional tool. These pieces will be laid out on the wall and need to make sense as a whole work.
The work will be an interesting, dynamic, well balanced piece.
Will you use symmetry?
Will you use asymmetry?
What does this say about your self portrait?
Consider both how the the individual parts will look and how they will work as a whole.
Everything that we have gone over in class thus far will be considered.
You may make mixed media drawings using pencil, charcoal, ink, gesso.
This will take some degree of thinking, planning, and experimentation. Start now.
Monday, October 7, 2013
Sunday, September 29, 2013
Monday, September 9, 2013
Hmwrk Monday 12 - 2 class
Fold a piece of 18 x 24 paper so that it has 4 sections. Draw 4 different items broken down into as see through objects.
Sunday, September 8, 2013
Monday, September 2, 2013
Friday, August 30, 2013
Hmwrk M/W due 9/4 T/Th due 9/3
Create a still life with at least 10 objects, 7 of which should have some sort of ellipse. Using everything discussed in class make an 18 x 24 drawing of this still life using your "x-ray" vision, and measuring techniques discussed. Also in this still life consider the creation of depth and scale using perspective, varied line weight, and pressure so that a dramatic sense of space is created. No shading should be used.
Tuesday, August 27, 2013
Monday, August 26, 2013
Hmwrk 8/28
Set up a small still life with two 'towers' like in class. Create a drawing on 18 x 24 drawing paper using the measuring techniques we did today. Focus on height, width, and proportion.
Sunday, August 25, 2013
Friday, June 14, 2013
Monday, June 3, 2013
Monday, April 8, 2013
Movie still, Master copy, and You
For the final piece you will put together an image consisting of at least one movie still, and a work from a master artist layered with a moment from life.
Using these sources you are to create an investtigate narrative and it’s potentials.
This piece should be have a 16:9 ratio the smallest possibility (for you) of which is 3.5 x 6 ft.
You may use any materials you wish in any combination that makes sense.
Artists to look at:
Gregory Crewdson
Luc Tuymans
Douglas Gordon’s “24 hour Psycho”
Christian Marclay “The Clock”
Eve Sussman
Andy Warhol
Roy Lichtenstein
James Rosenquist
For the final piece you will put together an image consisting of at least one movie still, and a work from a master artist layered with a moment from life.
Using these sources you are to create an investtigate narrative and it’s potentials.
This piece should be have a 16:9 ratio the smallest possibility (for you) of which is 3.5 x 6 ft.
You may use any materials you wish in any combination that makes sense.
Artists to look at:
Gregory Crewdson
Luc Tuymans
Douglas Gordon’s “24 hour Psycho”
Christian Marclay “The Clock”
Eve Sussman
Andy Warhol
Roy Lichtenstein
James Rosenquist
Sunday, March 3, 2013
Thursday, February 28, 2013
Wednesday, February 20, 2013
Monday, February 18, 2013
Sunday, February 17, 2013
Thursday, February 7, 2013
Hmwrk Due 2/11
Using all ideas we have covered in class over the past weeks create a 24 x 36 drawing that is:
50% refined with to the point of full value
30% the underlying structure of the drawing focusing on see through aspects and proper measuring(much like the previous 2 homework assignments)
20% gesture and the beginning levels of a drawing
50% refined with to the point of full value
30% the underlying structure of the drawing focusing on see through aspects and proper measuring(much like the previous 2 homework assignments)
20% gesture and the beginning levels of a drawing
Wednesday, February 6, 2013
Foundation SketchBook
All Foundation classes participate in the Foundation SketchBook, a journal of the first year experience. You must complete the assignments for each course as part of your final evaluation. Sketchbooks will be bound in 2D Foundation Principles late in the semester.
All due dates for the sketchbook are listed in red below.
Themes:
1. Pick and research an artist, present for approval by Wed Jan 30, create master copies of the artist's work (check class blog for master copy examples) use black and white only
2. Create in depth drawings based on master studies from the previous Signature, also use a palette that explores temperature
3. Create in depth drawings based on master studies exploring a full color palette and mixed media
Tuesday, February 5, 2013
Hmwrk 2/6
Take the previous homework assignment, choose 1 of the 4 drawings, and do it better. Keep in mind the successful drawings we spoke about in class.
Wednesday, January 30, 2013
Hmwrk Due Feb 4th
Sunday, January 27, 2013
Wednesday, January 23, 2013
Hmwrk Due 1/28
Make the drawing that you would expect to be assigned. Email me if you have questions.
Tuesday, January 22, 2013
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